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2011-2012 Chicago Season
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Baroque Band with Artistic Director Garry Clarke

"The performances had the style, verve, fine balances and unstuffy scholarship audiences have come to expect from Clarke and his dozen period-instrument colleagues”
Chicago Classical Review

"Clarke's group served the music well with lucid textures, clear articulation and taut lines.... Some conductors use fast speeds to heighten expression. Not Clarke. The sense of rightness to his generally moderate tempos came from an easy rhythmic spring that never sounded rushed. Such naturalness carried over to the score's recitatives, performed with suitably temperate feeling, and tastefully discreet vocal ornamentation."
Chicago Tribune

“Instrumental pieces by Henry Purcell, William Lawes, Matthew Locke and other British Baroque luminaries proved to be delightful discoveries, thanks to the acoustical and physical proximity of the players, not to mention their crisp, spirited playing....Director Garry Clarke also is British, and a fine violinist at that."
Chicago Tribune

“Until gondolas cruise down the Chicago River, Baroque Band is the closest thing the city has to Vivaldi’s Venice.”
Chicago Classical Music
 
“Baroque Band’s is the most successful in capturing the spirit of this unusual and innovative music [Battalia]…. An excellent, urgently recommended debut disc.”
Fanfare Magazine

“Baroque Band isn’t marketed as a cloistered guild of stuffy academics. Thursday’s program of music culled from the court of Charles II around the 1660’s was dubbed “Charlie’s Angels” (a subset of the season’s theme, “Angels and Demons”), and the stellar quality of the music and its presentation made one envy the cultivated monarch, if not the lowbrow 70’s TV recluse”.
Chicago Classical Review

“The city’s lively early music scene gets a lot livelier with the 2007 debut of this stylish group of period instrument players.”
Chicago Tribune


“By any standard this is an excellent performance for a period-instrument group.... A fine disc.”
Classics Today

About Artistic Director Garry Clarke:
“a riveting, cut-to-the-bone performance, every note crackling with purpose and electricity”
Washington Post

“a young dynamo"
Chicago Tribune

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 Biber: Mensa Sonora balleto
Biber: Mensa Sonora aria
Biber: Mensa Sonora ciacona

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String Concerto in F

Vivaldi String Concerto
 
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Baroque Band                                                                          Biber: Mensa Sonora balleto

Baroque Band, the superb period instrument orchestra, creates exciting performances that emerge from the best of baroque scholarship while leaving stuffy attitudes behind. Just celebrating its fifth anniversary, the group has won high praise from audiences and the major press for performances at home, on tour and on disc that take a fresh look at the baroque era.

Baroque Band's 2011-2012 home season in Chicago is titled: Adventures Through the Looking Glass and features these programs: The Queen of Hearts (October 2011); Tweedledum & Tweedledee (January 2012); The White Rabbit (March 2012); The Mad Hatter’s Tea Party (June 2012).  Details:

Queen of Hearts with Emma Kirkby                                          More at:
www.baroqueband.org
Oct 12, 2011
Oct 14, 2011
Oct 15, 2011

Pergolesi – Salve Regina
Buxtehude – Dixit Dominus
Smith – Excerpts from Paradise Lost (John Christopher Smith)
Vivaldi – In furore justissimae irae

San Francisco Early Music Festival
Nov 4, 2011
Nov 5, 2011
Nov 6, 2011

In 1660, Charles II returned from exile in France as Monarch of England. While in France he became a great admirer of Louis XIV’s band, Les Vingt-quatre Violins du Roi. Back in England, it wasn’t long before Charlie had his own band of angels, with the same name! Chicago’s dynamic, young Baroque Band will recreate the era of Charles II with grand celebratory music by Purcell, Grabu, Blow, and Croft.

Handel's Messiah
Dec 1, 2011
Dec 3, 2011
Chicago

Tweedledum & Tweedledee
Jennifer Morsches, Cello
Craig Trompeter, Cello
Jan 6, 2011
Jan 7, 2011
Jan 11, 2011

Beguiling cellists Jennifer Morsches and Craig Trompeter form a dynamic duo in this program of concertos for two instruments with music by Vivaldi and Porpora.

Baroque Band principal cellist Craig Trompeter is joined by guest performer, London-based American musician Jennifer Morsches. Morsches is the principal cellist of Florilegium and performs, records and tours with the Orchestre des Champs-Élysées, the Orchestra of the Age of Enlightenment and the Academy of Ancient Music, among others.

SuperBowl Baroque Sunday
Feb 5, 2012 at 3PM

Another touchdown at the Chicago Cultural Center. You won’t want to miss this pre-game show featuring music from your favorite Baroque composers, including Handel, Pachebel, and Vivaldi.

The White Rabbit
March 9, 2012
Harry Bicket, Guest Director
Iestyn Davies, Counter-tenor

“Davies’s celebrated timbre – translucent, warm, pure…” BBC Music Magazine
Following a glowing reception for his concerts with Baroque Band in 2011, guest director Harry Bicket returns, accompanied by counter-tenor Iestyn Davies, who will be performing in Rinaldo at Lyric Opera.

Praised as having “one of the most glorious counter-tenor voices in the world today” by the Independent and called “superb” by the New York Times, Iestyn Davies is a rising star on the international music scene. Director Harry Bicket is world-renowned as an opera and concert conductor of distinction. He is the Artistic Director of The English Concert and an accomplished harpsichordist.

Teseo
April 21, 2012
April 27, 2012
April 29, 2012
May 2, 2012

Premiered at the Queen’s Theatre in London, this was the 28-year-old Handel at his most enthralling. There are no tenor or bass voices, and all roles (both male and female) are sung by sopranos, mezzo-sopranos or counter-tenors. Teseo has been staged only once in the U.S. during the Boston Early Music Festival in 1985.

THE DRAMA:We find the wicked Medea tormented by jealousy, and resorting to her infamous magic spells to attempt the ultimate vengeance while riding a chariot drawn by dragons. Come see Handel’s storytelling at its most dramatic.

The Mad Hatter's Tea Party
June 1, 2012
June 2, 2012
June 6, 2012

“I hazarded to make heard first all sound together” Jean-Féry Rebel
Baroque Band’s season closes with one of the most strikingly original works of the Baroque repertoire, Rebel’s bold final work, the ballet Les Elemens. Complementing Rebel’s chaotic opening, the program also includes Handel’s grand Concerto Grosso Op 3 No 2 and Telemann’s Ouverture des nations anciens et modernes.

Tour bookings for the 2012-2013 season are now available.

www.baroqueband.org

"The performances had the style, verve, fine balances and unstuffy scholarship audiences have come to expect from Clarke and his dozen period-instrument colleagues”
Chicago Classical Review

“Instrumental pieces by Henry Purcell, William Lawes, Matthew Locke and other British Baroque luminaries proved to be delightful discoveries, thanks to the acoustical and physical proximity of the players, not to mention their crisp, spirited playing....Director Garry Clarke also is British, and a fine violinist at that."
Chicago Tribune

“Until gondolas cruise down the Chicago River, Baroque Band is the closest thing the city has to Vivaldi’s Venice.”
Chicago Classical Music
 
“Baroque Band’s is the most successful in capturing the spirit of this unusual and innovative music [Battalia]…. An excellent, urgently recommended debut disc.”
Fanfare Magazine

“Baroque Band isn’t marketed as a cloistered guild of stuffy academics. Thursday’s program of music culled from the court of Charles II around the 1660’s was dubbed “Charlie’s Angels” (a subset of the season’s theme, “Angels and Demons”), and the stellar quality of the music and its presentation made one envy the cultivated monarch, if not the lowbrow 70’s TV recluse”.
Chicago Classical Review
 

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