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"...outstanding playing. No one could accuse these players of lack of involvement. The Serenade’s four movements were put through their paces smartly, positively oozing vivacity and élan...the performance maintained the extraordinary high level of the rest of the rest of the programme."
The Strad

"If you haven’t heard Jupiter, your idea of what a classical concert can communicate is rather limited."
The Village Voice

"The ensemble’s program on Monday afternoon was very much in Nygaard’s signature style, and the size and enthusiasm of the audience suggested that his vision still has a constituency...nicely turned melodies, interesting modulations and spirited ensemble interplay kept things lively...finely nuanced and thoroughly menacing."
The New York Times

"...it is one of the city’s cultural jewels."
The New York Sun

"...top notch." The London Times

"The program was put on with such taste, dignity, and affection that this listener was completely charmed."
The New York Times

"The minuet had strong reminiscences of an Austrian town square full of jolly peasant dancers. The ebullient finale proved that the Jupiter instrumentalists were as cohesive a group as you could wish for...It was one of those concerts where every minute passed swiftly. Special mention must be made of the fine piano work of Morgulis, so correct in both works with the different touch that was needed for the Hummel and Beethoven. All seven of the other musicians matched her in what they provided for the audience -- joy in music."
Danbury News-Times


"...all sat in rapt silence once the music began. I have never witnessed such decorum even at the Metropolitan Opera, where tickets cost up to 15 times as much. At first I thought people might have fallen asleep, something I’ve seen plenty of times at the Met. (And at the Philharmonic and Carnegie Hall.) But every eye was focused on the musicians and every face was lost in thought." Ben Sisario, The New York Times 1/18/08

"A foursome led by former Jupiter principal clarinet, Vadim Lando, traversed Kreutzer’s Quartet in E flat major. This was a rollicking rendition, notable for crisp rhythm and good humor. Especially intriguing was the middle Andante grazioso, with the woodwind line punctuated by the strumming alla Italienne of the viola." Fred Kirshnit, New York Sun 6/21/07


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 Brahms
Milhaud

Schubert
Brahms Piano Qtet (mvmt)

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Jupiter Symphony Chamber Players                                                                

“…the performance was beautifully balanced and morphed naturally from high-spirited playfulness to dark chromaticism and back." The New York Times

New York Times 9/2011

Concertonet 9/2011

Seen and Heard International 5/2011

Seen and Heard International 9/2010

Concertonet.com 10/2009

New York Times 9/2009

New York Sun 7/2008

New York Times 1/2006


London Times 1/2004

New York Times 1/2004



In addition to its distinguished series of 20 concerts in New York each season, the Jupiter Symphony Chamber Players innovative programs are now available on tour. Programming their signature mix of beloved repertoire and undiscovered gems, they have been showered with the enthusiastic praise of critics and the excited devotion of audiences. Their concerts display the talents of mixed ensembles of four to twelve performers, ranging from string quartets and wind ensembles to special combinations, and often feature pianists, vocalists or other solo instrumentalists.

The Jupiter Symphony Chamber Players is a remarkable assemblage of some of the finest young musicians in the United States. Their mixed ensemble programming brings into focus a constellation of well-known masterpieces and sublime hidden treasures from the chamber music repertoire.

Comprised of world-class prizewinners, each a rising star in his or her own right, the ensemble performs in honor of the founder of New York’s Jupiter Symphony, a magnificent musician, Jens Nygaard. For more about the New York concert season by the Jupiter Symphony Chamber Players, click here.




 

 

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