
"...the group charged the evening with
entirely unaccompanied singing no less than extraordinary -- even far
beyond the basic yardstick measurements. Intonation? Impeccable.
Ensemble? Unfailing precision in phrasing, dynamics, color --
everything finely tuned for a succession of works ever-changing in
style and expressive meaning."
Washington Post
"...the richness of the Nordic Voices flooded the immensity of the
concert hall....left everyone in the audience with the perfect blend
of sensations reminiscent of this emotional experience, a mixture as
varied and delightful as the evening’s performance..."
The China Post (Taipei)
"Impeccable intonation combined with incredibly dulcet melodious
phasing permeated this performance."
Yellow Springs News
"Nordic Voices are a force to be reckoned with, as much because of
their adventurousness and range as because of their specialty and
expertise in choral music."
The Live Music Report (www.thelivemusicreport.com)
"The singing was excellent, sharp as a knife, and the balance was
beyond reproach." Morgunbladid,
Reykjavik, Iceland
"The a cappella ensemble combined modality and atonality, and
text-setting styles ranging from the sublime to the delightfully
ridiculous, into a seamless argument - that Scandinavian choral music
is a beautiful world unto itself."
Birmingham News
'With its virtuous and humor-filled interpretation of Ligeti's
"Nonsense Madrigals", Nordic Voices seizes any audience."
Stavanger Aftenblad, Stavanger
"...the songs open up many possibilities for creating nuances and
making musical points. Nordic Voices never missed any of these
opportunities, but let blessed Monteverdi and Gesualdo appear with all
the resounding rhetoric ever desired."
Tønsberg Blad
"The Church Music Festival seemed to have reached new heights this
year, and the concert by Nordic Voices was no exception. Every soloist
had an exceptional voice, all of which combined to make the perfect
instrument." Morgunbladid, Reykjavik,
Iceland
"The vocal ensemble Nordic Voices, showing off a clear and secure
intonation, virginal pureness and lots of temperament, performed three
songs of the eccentric Italian composer Giacinto Scelsi."
Värt Land, Oslo, Norway
Nordic Voices is:
Tone Elisabeth Braaten, soprano
Ingrid Hanken, soprano
Ebba Rydh, mezzo soprano
Per Kristian Amundrød, tenor
Frank Havrøy, baritone
Trond Olav Reinholdtsen, bass
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Nordic Voices is a
six-voice a capella ensemble whose recent performances on tour have
been hailed by the critics "Such mesmerizing
talent is rare." [Washington Post 2/4/08]
and "Whatever language, it was the group's astonishing range of sonic
vocabulary... that thrilled the senses and sent an emotional message
no listener could miss" [Washington Post 10/27/03]
Their latest CD, Reges Terrae on the Chandos label, is equally
acclaimed "...stunning Super Audio
disc...exquisite and beautifully performed." [thewholenote.com
2/1/08] and nominated for a Spelemann prize (the Norwegian "grammy").
Based in Oslo, Nordic Voices tour a rich and varied repertoire,
performed with immediacy, intimacy and fun. Their astonishingly
beautiful singing and stage presence, with their smart and stylish
performance style, captivates their audiences, as is evidenced by
requests for return engagements. During the 2007/08 season, they will
again bring us an expansive variety of repertoire, from medieval to
modernist.
A recent sampling of their performance schedule includes: a North
American tour featuring their Canadian debut at Soundstreams/Northern
Encounters Festival; their Japanese debut in Kyoto at the World
Symposium on Choral Music; a project with the Norwegian Chamber
Orchestra and performances at the Fartein Valen Festival, the Greek
festival Modelo in Patras; and a set of seven concerts in five days at
the Hardanger Musikkfest in Norway followed by the Festival in Noirlac,
France.
On North American tour, Nordic Voices'
program offerings include
"Studies After Nature" and "Human Struggle - Divine Harmony" featuring
works of Dufay, Jannequin, Ravel, Poulenc, Norwegian folk songs and
more. They will also offer "Sense and nonSense" and the
"Lamentations" program.
Immediately capturing audiences with their smart and stylish
performance ethos, Nordic Voices entices the listener with a playful
and sophisticated approach that enhances their already remarkable
singing. For an interview with Nordic Voices,
click here.
In Europe, recent Nordic Voices projects include performances with the
National Ballet of Norway in a new work written for them by Norwegian
composer Gisle Kverndokk. Titled Kyrie and Gloria it was
premiered at the festival in Haugesund, Norway. They also performed at
the Ultima festival in Oslo, the biggest festival for contemporary
music in Norway, where they sang Luciano Berio's A Ronne, as
well as commissioned pieces by young Norwegian composers. Their recent
12 city Norwegian tour was sponsored by the Norwegian Telecom Company
Telenor.
The
varied musical interests and skills of these remarkable singers has
also been expressed in a series of concerts titled The Chamber Tone
of the Body -- a collaboration with jazz pianist Mikhail Alperin
and the Norwegian author Lars Saabye Christensen.
The group's landmark recording, Sense and nonSense, was
released on the
Jonathan
Digital label in 2002. The CD celebrates a focus on different
approaches toward text in vocal music, from the use of abstract
phonemes to pictorial storytelling.
In 2003 Nordic Voices returned to the studio to record a CD of early
music, The Time of Carlos V featuring works of Morales,
Manchicourt and more. A new recording of contemporary music, drawn
from works Nordic Voices has commissioned over the last two years is
in the making.
Since its formation in 1996, Nordic Voices has toured extensively in
Norway and abroad, performing at major festivals and on prestigious
series. They have garnered considerable acclaim through their frequent
radio and television appearances in Europe. The ensemble has
commissioned and performed many new works, and is expert at deftly
programming for an exciting mix.
Based in Oslo, Norway, the members of Nordic Voices were educated at
the State Academy of Music in Oslo and the National Academy of
Operatic Art in Oslo, where they specialized in opera, composition,
church music and pedagogy.
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