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"In both the Prokofiev Piano Concerto No. 1 the Messiaen Oiseaux exotiques, Chi
not only played with technical brilliance but an almost romantic musicality that
enhanced the performance of both works." [Columbus Symphony with Zeitouni]
Columbus Dispatch
"Katherine Chi, a most elegant
player...Chi’s performance was delightful — polished technique, satisfying
phrasing, a lovely knack for making each and every note sing out."
[Beethoven & Ries Concertos with the Grand Rapids Symphony and conductor David
Lockington] mlive.com
"Katherine Chi...
valiantly stepped in and appeared unfazed by the situation's added
pressures... she is blessed with no shortage of talent and adroitly
handled the concerto's considerable technical demands."
[Prokofiev Piano Concerto #3, with the Colorado Symphony]
Denver Post
"Ms. Chi displayed a keen musical intelligence
and a powerful arsenal of technique."
The New York Times
"Chi's
playing was electric, alternating between ricocheting expressionism
and mechanistic intensity."
The Boston Globe
[more]
“...not just the most sensational, but, better,
the most unfailingly cogent and compelling Prokofiev Third I have head
in years.”
The Toronto Globe
"...her playing is all warmth, power, command
and fantasy..."
The Boston Globe
"The Comeback Kid"
Toronto Globe & Mail
"Difficult Russian concerto handled with aplomb"
Ottawa Citizen
"Pianist Calls Attention to Vivid Contrasts in
Style"
New York Times
"Chi plays with control and warmth"
Boston Globe
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Katherine Chi,
piano
Richmond Times Dispatch February 2012
Letter V - Virginia Classical Music Blog February 2012
Boston Musical
Intelligencer September 2011 -- with flutist Paula Robison
Columbus
Dispatch March 2011
Grand Rapids Press/mlive.com February 2011
Showtime.ca October 2010
Third Coast Digest
June 2010
Worcester
Telegram May 2010
Boston Globe
April 2009
Boston Musical
Intelligencer November 2009
Calgary Herald
[Calgary Philharmonic] 2007
Penticton Herald
2008
Denver Post
[Colorado Symphony Orchestra] 2003
Opus Pocus [CD Review]
2005
"Although there is not a hint of clowning in her stage presence, Katherine
Chi's treatment brought out all the fun in this outrageous piece, as though the
spirit of Victor Borge were in the hall." Showtime.ca
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