Combining the talents of three award-winning soloists, the Weiss-Kaplan-Stumpf Trio brings to each performance its distinctive fusion of authority and experience, energy, and passion. These three musicians comprise an ensemble that embraces the music of the future while offering fresh insights into three centuries of masterworks.
Hailed by The New York Times as “Three strong voices, locked in sequence,” the Trio was originally founded in 2001, and was joined in 2014 by the distinguished cellist Peter Stumpf. The Trio has presented concerts throughout the US, Europe and the Middle East and will make its debut in Asia with a Korean tour in 2018. The ensemble has been engaged by distinguished series at The Kennedy Center, Wigmore Hall, Baltimore’s Shriver Hall, Princeton, UCLA, Indiana and Oxford Universities, Tel-Aviv Museum, and for the Chamber Music Societies of Edinburgh, Santander, Pasadena, Phoenix, Cincinnati, Salt Lake City, Tucson and Memphis, among others.
The Weiss-Kaplan-Stumpf Trio is frequently engaged to appear as soloists in Beethoven’s Triple Concerto with orchestras such as the Prague Chamber Orchestra, Santa Fe Symphony Orchestra, Bloomington Camerata, New Bedford Symphony and Sioux City Symphony. A performance of the Triple Concerto at the Prague Festival was praised for its “rare timbral refinement, nobility and virtuosic brilliance…among the brightest moments of this year’s Festival” (Lidove noviny, Prague). Other international festival performances have included appearances at the Jeju Island Music Festival in Korea and the Festival of the Sound in Canada.
The group is committed to new music, and has commissioned many works, including Lera Auerbach’s “Triptych: The Mirror With Three Faces”, Clancy Newman’s “Juxt-Opposition”, and “Variations on a Poem” by Michael Hersch. The trio gave the world premiere of Michael Gilbertson’s concerto for trio and orchestra, “Outliers”, commissioned for the group by the Sioux City Symphony Orchestra.
The Trio is also known for its stimulating and varied programming of the entire trio repertoire, and for performances of Beethoven’s complete cycle of works for Piano Trio, which are an ongoing part of its programming. Current programming includes multiple presentations of this complete cycle.
The Weiss Kaplan Stumpf Trio records for Bridge Records. This season they are recording the first volume of Beethoven’s Complete Piano Trios. Previously, a 2015 CD project features works by Fred Lerdahl, and a 2014 release entitled “An American Tour” includes world premiere recordings of four new American trios by Lera Auerbach, Chen Yi, Clancy Newman and Paul Schoenfeld. The Trio’s 2011 release of Brahms and Smetana trios has received wide critical acclaim – Fanfare Magazine hailed it as “absolutely one fabulous chamber music recording you cannot afford to be without. . . This may just be the best of the best Brahms B Major Trio recordings.” Previously Bridge also presented the Trio’s recording of Paul Chihara’s trio, “Ain’t No Sunshine”, a work the group commissioned and premiered in 2006 at the Kennedy Center.
The Trio is well known to American radio audiences through nationwide broadcasts on shows such as American Public Media’s Performance Today and WNYC’s SoundCheck. An appearance on St. Paul Sunday has been broadcast nationally several times, and was selected for St. Paul Sunday‘s “Best of the Year” CD.
New Video Release: Behind the Scenes with the Weiss Kaplan Stumpf Trio
“Three strong voices, locked in sequence.”
The New York Times
“a wonderfully refined presentation….The three musicians were totally in sync”
New York Concert Review
“…a fine team, twining and dovetailing their lines to eloquent effect, not least in Schubert’s expansively lyrical writing. Underpinning the strings was pianist Yael Weiss’s liquid tone and unfailingly wise phrasing”
“an immensely accomplished ensemble…. This is almost certainly how Brahms wanted and expected his music to be played…”
International Record Review
“When it played Beethoven’s overexposed “Archduke” Trio, every moment felt new. How often does that happen?
Underneath it all? Trust. “We communicate mostly by playing… you’re very sensitive to each other in the moment of performance.”
From an interview with Mark Kaplan in The Tulsa Voice
“…performances were splendid and idiomatic…”
“All three performers were able to project a strong musical personality while nurturing a fine ensemble sound.”
“a gem of an ensemble. As individuals, the three are distinguished musicians. Together, they’re a team, in the best sense of the word.”
“Great ensemble playing”
The Washington Post
“a class act!”
“A beguiling, energetic new chapter”
New York Sun
“Dynamic new ensemble”
Chamber Music Magazine
“The dovetailing of give-and-take among the members…was seamless, and their playing swept up the listener….This performance was delightful in every respect…. With ethereal pianissimos, lockstep ensemble, and heart-felt phrasing, [the trio] gave one of the most completely convincing interpretations of this sprawling jewel [Schubert Piano Trio No. 2 in E-flat] that I have heard.”
Classical Voice North Carolina
CD Reviews (Brahms/Smetana disc on Bridge Records):
“This may just be the best of the best Brahms B-Major Trio performances I’ve yet to hear on disc… this is absolutely one fabulous chamber music recording you cannot afford to be without. Urgently recommended.” Fanfare Magazine
“For those of us raised on the Rubinstein-Heifetz-Feuermann version, this performance will appear a sweet rival, especially given the lush tone each of the participants brings to this romantic score. The vibrant intensity of the music finds bravura expression from this ensemble….” Audiophile Audition
“The pieces share a sweeping Romanticism that the members of the Trio set forth to splendid effect. The Brahms (in the final 1889 version) receives a performance full of warmth and vitality, as does the Smetana trio.” Cleveland Plain Dealer
“[The] group plays the Brahms with great passion, combining moments of virtuosity with a rare concentration in the slow movement…. Their emotional range is very wide, and I was particularly impressed with Weiss’s soft playing in the Adagio and her clean passagework in the finale. A terrific performance, able to stand with the best.” American Record Guide
“they aren’t afraid, collectively or individually, to step up to the plate when a given moment calls for really virtuosic brilliance…one of the finest accounts I’ve ever heard of Bedřich Smetana’s Piano Trio in G minor and the most convincing account ever of Johannes Brahms’ Piano Trio No. 1 in B Major. It all makes for one of the best chamber music CDs you are likely to hear, this or any year.” Phils Reviews
“These three players… play with uncanny unity, blend”
New York Concert Review
Beethoven Triple Concerto Sioux City Journal
“Peter Stumpf, the cellist, got a beautiful showcase in the Allegro; Mark Kaplan, the violinist, scored in the Rondo and Weiss pulled them and the orchestra together like musical glue.”
Brahms/Smetana CD Review American Record Guide “virtuosity with a rare concentration”
Weiss-Kaplan-Newman Trio at the Kennedy Center, January 2012 “robust, exuberant performances”
Brahms/Smetana CD Review Cleveland Plain Dealer “a performance full of warmth and vitality”
Brahms/Smetana CD Review “…one of the best chamber music CDs you are likely to hear, this or any year.”
Beethoven Piano Trio Cycle 2011 – Review #1 “a gem of an ensemble”
Beethoven Piano Trio Cycle 2011 – Review #2 “exceptionally high levels of unity”
Beethoven Piano Trio Cycle 2011 – Review #3 “performed here with gusto and buoyancy”
Beethoven Trio in G, op 1, #2 – watch
Smetana Trio: movement I – watch
Behind the Scenes with the Weiss Kaplan Stumpf Trio – watch
Beethoven op 70, #1, Ghost Trio (II) – watch
Beethoven op 70, #1 Ghost Trio (III) – watch
Dvorak Trio in F Minor, op. 65 (I) – listen
Dvorak Trio in F Minor, op. 65, (III) – listen