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New Collaboration: Branford Marsalis, Timothy McAllister, Liz Ames. This new trio presents a rich and engaging program of music for two saxophones and piano. The combination of Marsalis’s emotive jazz style, McAllister’s cutting-edge techniques, and Ames’s sophisticated piano work creates an intriguing mix of improvisation and precision, blending jazz’s spontaneity with the structured elegance of classical music. In collaboration with Opus3Artists.
More Information: PDF
2024 PULITZER PRIZE in MUSIC to Tyshawn Sorey: Timothy McAllister premiered Tyshawn Sorey’s Adagio (for Wadada Leo Smith) and we are thrilled to announce that Sorey has just been awarded the 2024 Pulitzer Prize in Music for the Adagio (LINK to excerpt). Described by the Pulitzer board as “an introspective saxophone concerto, with a wide range of textures, presented in a slow tempo, a beautiful homage, that’s quietly intense, treasuring intimacy rather than spectacle” McAllister gave the world premiere with the Lucerne Festival Orchestra, and the U.S. premiere with the Atlanta Symphony.
“McAllister was comfortable standing with one foot in each of the normally disparate worlds of classical refinement and hard bop intimacy.” ArtsATL
“Sorey’s writing for the solo sax establishes whole another brand of virtuosity, one wrought of long lines, where each note is given its singular identity; a procedure akin to the playing of the concerto’s dedicatee as well as the tintinnabulations of Arvo Pärt.” AIM-Adventures in Music
Pulitzer Prize in Music Finalists & Announcement
The Weiss Kaplan Stumpf Trio welcomes the release of the complete set of Beethoven’s piano trios in a 3-CD set on Bridge Records. The deluge of stellar reviews praise the artistic power of pianist Yael Weiss, violinist Mark Kaplan and cellist Peter Stumpf as “absolute magic… the music explodes in the sixth variation and proceeds after a sentimental cello aria to a moment of absolute magic, with the piano singing against the pulsing strings, paced perfectly as only a few recordings have done.” (Gramophone)
“great musical capacities, perfect interpretation, and stylistic consistency make this 3-disc album an extraordinary example of the highest quality recording” (EarRelevant)
“these three artists expose the creative spark…. This has to be one of the most convincing and cohesive recordings of Beethoven’s music for piano trio so far.” “all you hear is the composer’s vision and intent, free of superfluous gestures and mannerisms.” (Classical Music Sentinel)
“The stellar New York City based trio offer deep and full-bodied interpretations of eight immortal masterworks.” (Grigorian.com)
The trio’s previous Bridge Records releases include works of Brahms, Smetana, Paul Chihara, Lera Auerbach, Chen Yi, Clancy Newman, Paul Schoenfeld and Fred Lerdahl.
Listen on Spotify Listen on YouTube Weiss Kaplan Stumpf Trio – live at Tonhalle Düsseldorf
New: Guitarist Jason Vieaux and violinist Francisco Fullana join forces for spirited duo programs. Available together for selected dates, the duo will offer new programs including: Argentinian Origins, String Fractals, and Bach to Buenos Aires. Avery Fisher Career Grant winner Francisco Fullana is acclaimed “a rising star” by BBC Music Magazine, and “a paragon of delicacy” by the San Francisco Classical Voice. Grammy-winner Jason Vieaux, “among the elite of today’s classical guitarists” (notes Gramophone), is described by NPR as “perhaps the most precise and soulful classical guitarist of his generation” and hailed as “virtuosic, flamboyant, dashing and, sometimes ineffably lyrical” by the New York Times.
Just awarded 2024 ENSEMBLE OF THE YEAR by Chamber Music America, the Dalí Quartet makes fans throughout the Americas bringing Latin music to an equal standing with the Classical and Romantic canon. Following the release of its latest CD, Voces Latinas (Centaur), the quartet has enjoyed packed houses at the Bravo!Vail Festival, Princeton Summer Concerts, Maverick Concerts Festival, and the Library of Congress garnering praise in the press from stage to stage: “The Dalí Quartet’s Maverick Concerts debut…delighted from start to finish” writes the Boston Musical Intelligencer (full review). About the quartet’s Shostakovich and Brahms piano quintet CD with Olga Kern, the Canadian press notes “The Dalí is known for its championing of Latin American repertoire… the Dalí Quartet shows itself here to be just as thoroughly at home with European repertoire in these sparkling performances. Truly joyous…” (The Whole Note)
Rising Tide is on tour. Inspiring audiences to change course. The Crossroads Project confronts a planet under siege and a future in peril. Grounded in science, elevated by art, igniting response. Available as a live performance with residency programming options, the show is also a feature-length cinematic performance fusing compelling science, evocative imagery, and powerful music in an exploration of nature, humanity, and the paths that lie before us. Featuring physicist Dr. Robert Davies and the Fry Street Quartet, Rising Tide: The Crossroads Project confronts a planet under siege and a future in peril – inspiring audiences to change the course.
Acclaimed violinist Eunice Kim appeared at the Cabrillo Festival to premiere the Duo Concerto for Violin & Double Bass by composer and double bassist Xavier Foley. This superb musician, with her quick mind and a maverick bow arm [link here to her Mendelssohn Violin Concerto video] has been soloist with the Philadelphia Orchestra, Louisville Orchestra, St. Paul Chamber Orchestra, Pro Musica Columbus, Boulder Philharmonic, Akron Symphony, New West Symphony, Wheeling Symphony, Williamsburg Symphony and the Seongnam Philharmonic, among others. Concerto repertoire list here.
Saxophonist Timothy McAllister (two Grammy nods) welcomes a newly commissioned concerto from the esteemed and beloved American composer Adolphus Hailstork for the 2024/25 season (available following McAllister’s January 2025 premiere). More high profile composers with new concertos lined up for Timothy McAllister include Steven Mackey for 2025/26, Viet Cuong for 2026/27 and, ready for premiere in 2023, the Whimsical Concerto of Fanciful Birds by Canadian composer Vincent Ho. Whimsical Concerto is scored for also saxophone solo and spatialized ensemble of eight saxophones in the hall, drawn from high level students in the community for a special musical and public experience. Saxophonist Timothy McAllister “stood with one foot in the classical world, and the other in jazz” (ArtsAtl.org) in performance with the Atlanta Symphony in the U.S. premiere of Tyshawn Sorey’s Adagio (For Wadada Leo Smith) in 2023. Today’s most celebrated saxophonist, McAllister has premiered concertos dedicated to him by John Adams, John Corigliano and Guillaume Connesson, among others. About the Corigliano Triathlon 2022 premiere: “he gave the piece the knockout performance it deserved” with the San Francisco Symphony (San Francisco Chronicle) and the New York Times hails his “satiny alto saxophone”.
More about Timothy McAllister here.
Mezzo-soprano Sasha Cooke and guitarist Jason Vieaux, two internationally acclaimed Grammy-winning artists, premiered the new Andy Poxon arrangement of Michael Tilson Thomas’ Not everyone thinks that I’m beautiful at their San Francisco Performances recital in 2023. The encore crowned “a radiantly beautiful concert that featured music from three centuries and continents” (San Francisco Classical Voice). Available for selected dates, Sasha and Jason have brought their collaboration to the Kennedy Center, Music@Menlo, Round Top and beyond. Their new program focuses on music more naturally suited to the intimate and colorful magic of voice and guitar, by composers including Villa-Lobos, Schubert, de Falla, Jobím, Metheny, Sondheim, Lennon, Jaime Ovalle and Peter Scott Lewis.
Meanwhile, Jason has added the gorgeous new Avner Dorman concerto How to Love to his extensive concerto list. He gives “eloquent and vibrant performances” writes Gramophone Magazine of his Bach Vol. 2 release (Azica). NPR’s #NowPlaying says: “The notes cascade in waterfalls, and in Vieaux’s immaculate, joyful performance you hear all of Bach’s interlocking voices” More about Jason Vieaux.
Robert Franz accepts an additional post as Music Director of the UNCSA Symphony Orchestra. A frequent guest with the orchestra, Franz is an alumnus and in 2023 premiered Permutations by Robert Chumbley with the orchestra and Dimitri Schteinberg at the piano. The award-winning conductor is the Music Director of the Windsor Symphony, Artistic Director of Boise Baroque, and has recently finished ten years as Associate Conductor of the Houston Symphony. At home in Windsor (where this US citizen has Canadian permanent residency status) Robert Franz has brought the Windsor Symphony to new prominence. Under his baton the WSO released its first commercial recording in 15 years “Christmas, eh” and given world premieres of new works by Farhad Poupel and Nicole Lizée. Recent and upcoming guest engagements include conducting an ABBA celebration with the Fort Worth Symphony and the premiere of the new saxophone concerto Whimsical Concerto of Fanciful Birds by Canadian Composer Vincent Ho with the Saskatoon Symphony and acclaimed saxophonist Timothy McAllister.
Following an extensive national search spanning two seasons, conductor Michael Butterman has been named Music Director of the Williamsburg Symphony Orchestra. Butterman remains the Music Director of the acclaimed Boulder Philharmonic, which opened the inaugural SHIFT Festival at the Kennedy Center, as well as Music Director of the Shreveport Symphony and the Pennsylvania Philharmonic, an orchestra uniquely focused on music education. As a guest conductor, Michael Butterman has led many of the country’s preeminent ensembles, including the Cleveland Orchestra, Philadelphia Orchestra, National Symphony, Detroit Symphony, Ft. Worth Symphony and Houston Symphony. Butterman, who spent his childhood in Northern Virginia and later earned two degrees from the University of Virginia is delighted to return to the Commonwealth. The Williamsburg Symphony is thrilled to welcome Michael Butterman to the community. Learn more here.
Sean Chen steps out with a debut at the Allegheny Riverstone Center and returns to the Sunriver Music Festival and the New West Symphony. His double-header with conductor Michael Christie and the New West Symphony features both the Strauss Burleske and the Francaix Concertino. The American pianist is a “thoughtful musician well beyond his years” (The Republic) and is hailed as a rising star with a “million-volt smile” and a “formidable set of fingers” (Dallas Morning News). Sean Chen is a performer of tremendous depth who is also a composer and arranger. This powerful triple-play has earned him three high-profile awards and an impressive following. In 2013 Chen won the American Pianists Association’s DeHaan Classical Fellowship, one of the most lucrative and significant prizes available to an American pianist. As the first American to reach the finals of the Van Cliburn International Piano Competition since 1997, he went on to win the Bronze Medal in 2013, and then became the 2015 recipient of the $100,000 Leonore Annenberg Fellowship. Acclaimed for his “penetrating artistic intellect” (Audiophile Audition) and “ravishing tone and cogently contoured lines” (Gramophone), the young American pianist has already appeared as soloist on return engagements with the Indianapolis Symphony Orchestra, Fort Worth Symphony and Indianapolis Chamber Orchestra, made debuts with the Philadelphia Chamber Orchestra at the Kimmel Center and with the orchestras of Milwaukee, Phoenix, Hartford, Santa Fe, Tucson, North Carolina, San Diego, the New West Symphony and many others in the U.S. and South America (in an extensive concerto repertoire). A collaborative artist, Sean Chen is held in high esteem by such conductors as Gerard Schwarz, who spoke of his Bartok Concerto #2 as “stupendous”. More…
Grammy-winning guitarist Jason Vieaux performs Four Paths of Light Part on Pat Metheny’s latest album Road to the Sun. Upon release in March, it arrived on the Billboard Classical chart at number one — and on the UK and Germany charts at number one as well. Written for and recorded by Jason Vieaux, this expansive four-movement suite is part of a unique recording featuring two major Pat Metheny compositions performed by others. This new genre-defying recording from 20-time Grammy Winning Guitarist/Composer Pat Metheny is his first on Modern Records and includes a new work commissioned by the Los Angeles Guitar Quartet, and Metheny’s performance of Arvo Pärt’s Für Alina.
London Jazz News has this to say: “If anyone’s going to play this suite, Jason Vieaux is the perfect choice.”
“And as well as an obvious love for Metheny’s compositions, Vieaux has a well-matched playing style of meticulous clarity combined with lush romanticism.”
Listen to Jason Vieaux perform Part 2 of Four Paths of Light on YouTube Music.
More information here.
Rising Tide: The Crossroads Project – Grounded in science, elevated by art, igniting responses
The Fry Street Quartet collaborates with climate physicist and communicator, Dr. Robert Davies in Rising Tide: The Crossroads Project, an evocative performance about global sustainability that weaves art and science together through music, prose, and stunning visual imagery.
Rising Tide: The Crossroads Project is a live performance and is available as a full length film. Sample here.
Rising Tide: The Crossroads Project Feature Film is “a transfixing film that signifies the enlightened intertwining of science, social conscience, music and art…” link to film here.
10th Anniversary, the Artists Reflect: Sample here.
The Crossroads Project confronts a planet under siege and a future in peril – inspiring audiences to change course.
Educational Outreach components on tour focus on solutions.
Internationally acclaimed cellist Colin Carr is the complete artist – renowned for his concerto appearances with symphonies worldwide, his many distinguished recordings, his landmark performances of the complete Bach Suites and his long-standing commitment to the chamber music repertoire. Acclaimed for performances that are “unfailingly musical, logically thought through and convincingly argued” (New York Times) he has appeared with the Royal Concertgebouw Orchestra, Royal Philharmonic, BBC Symphony, the Philadelphia Orchestra, the symphonies of Chicago, Los Angeles, Montréal, and more. He is currently on a widely celebrated tour of the Bach cello suites through Asia and North America. “His supreme technique gives him the freedom to hold together long complicated phrases that many more mortal cellists can’t manage without breaking their arcs. And with his bouncy, jig-like ebullience, Carr is better than anybody in the final Gigues”. (Boston Musical Intelligencer) Colin Carr is honored with the First Prize in the Naumburg Competition, the Gregor Piatigorsky Memorial Award, and as winner of the Young Concert Artists competition, among other accolades. More…
Azica Records has released Together, the new CD from Yolanda Kondonassis & Jason Vieaux. The gorgeous CD is comprised entirely of original works for harp and guitar including two world premieres of works commissioned by Jason and Yolanda: Knock on Wood, by Keith Fitch, and Hypnotized, by Gary Schocker. Hear the interview and samples from WRCJ Detroit.
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